In The Wire 491/492, James Gormley argues that redrawing the line between public and private space has coined a dubious new ...

Rasheedah Phillips and Camae Ayewa (aka Moor Mother) present a special Wire mix ahead of the publication of Dismantling The ...

In The Wire 491/492, Louise Gray recalls developing a new relationship to sound while bed-bound in hospital following an accident This is a piece that I never anticipated writing. Dictating from a ...

Born in Vietnam, multidisciplinary artist Tran Uy Duc seeks counterpoints with pop boundaries as their long-term influence. Also active in ...

In The Wire 491/492, Drew Daniel recounts a dream of a strange new music style, whose subsequent online virality revealed the need to test the limits of genres The dream came in the night and changed ...

Stream two tracks from Aleksi Perälä's forthcoming release using the Perälä and Grant Wilson-Claridge's custom musical scale, the Colundi Sequence. Perälä and Wilson-Claridge's creation is covered by ...

Since his early 1980s connections with the independent label Les Disques Du Crépuscule and film maker Peter Greenaway, Belgian composer Win Mertens has built considerable audiences across Europe for ...

Joseph Stannard: What united the musicians involved in this - for want of a better word - scene? Matt Elliott: Me, Kate Wright, Rachel Brook, Matt and Sam Jones and some of the wider Movietone members ...

The Wire’s releases of the year for 2022 were compiled from the individual votes of the magazine’s staff and contributors – here are those votes in full ...