Wolf Man's Julia Garner revisits her first movie, her first Emmy and teases her first MCU film, The Fantastic Four: First Steps.
Julia Garner has proven through her performances in Inventing Anna and Ozark that nothing can separate a good script and her. Garner's acting prowess paired with her knack for choosing excellent scripts has earned her several accolades and the audience's attention to her next move.
Actor Julia Garner joins TODAY to share details about the new terrorizing remake of the 1941 horror movie “Wolf Man.” She also talks about her family's influence on her career, opens up about joining Madonna on stage — and addresses rumors of her being cast to play the Queen of Pop.
"I want to make people feel uncomfortable," Julia Garner says of her work as an actor. It's a blunt statement from the 30-year-old, but it's not surprising when you consider her celebrated body of work—a lengthy résumé portraying some of the most nefarious,
Leigh Whannell follows ‘The Invisible Man’ with another update on a classic from the Universal archives, unfolding in an isolated farmhouse in the Pacific Northwest.
Julia Garner has recently responded to Madonna's biopic speculations during an appearance on the Today show on January 22.Dishing out new details about the biopic, the Golden Globe-winning
Julia Garner won three Emmys for her work in “Ozark.” Now, in “Wolf Man,” she plays a woman in peril. What happened?
Julia Garner says Leigh Whannell made 'Wolf Man' a bit 'scarier' because he keeps the character 'familiar' before making him a monster.
Another classic cinematic monster has been dusted off in “Wolf Man,” an R-rated Blumhouse movie which hits theaters on Friday.
Julia Garner opens up about her role in The Wolf Man, a horror-fantasy film that explores themes of grief, love, and survival through a family’s harrowing encounter with a mysterious creature.
Julia Garner enters superhero mode as Silver Surfer/Shalla-Bal in The Fantastic Four: First Steps, slated to open globally on July 25, 2025.
Filmmaker Leigh Whannell directed 2020's intriguing "The Invisible Man," but his latest classic monster redux is a shaggy mess that should have been curbed.