IT’S always an issue during a very long film – when to get up to go to the loo. What are you going to interrupt while forcing people in your row to stand up and, ...
For 15 minutes in Brady Corbet’s The Brutalist, audiences are confronted with a still image. Adrien Brody, as immigrant architect Laszlo Tóth, stands with his bride outside a Budapest synagogue, ...
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