The Andrew Garfield and Florence Pugh starrer We Live In Time was an absolute tearjerker. Taking a break from their usual genres, Garfield's portrayal of Tobias Durand and Pugh's portrayal of Almut Brühl managed to move audiences with their nuanced relationship, delicately explored through the lens of director John Crowley.

Death trope romances are oh-so-back thanks to Florence Pugh and Andrew Garfield. Their new film We Live In Time has finally landed in Australian cinemas this week, bringing all the tears (and plenty of heart) to our screens.

In We Live in Time, Pugh and Andrew Garfield play a couple whose sense of the ridiculous sees them survive almost anything.

We're first parachuted into the world of Almut (Florence Pugh) and Tobias (Andrew Garfield) through the pitter-patter of Almut's steps as she pounds the pavement on her morning run. Arriving back ...

What I enjoyed most about this film is how realistic the story line was. Its romance is magical and yet commonplace. Sparks fly between a Weetabix Cereal salesman and a chef with a dream living in London.

As Clare Smyth prepares for ‘the Olympics of cooking’, she sits down with Charlotte Lytton to discuss gender roles in kitchens, challenges in the restaurant industry, and what’s next

In We Live in Time, a young couple find their dreams of a long and beautiful relationship threatened by serious illness.

In A Complete Unknown, Timothée Chalamet is the young Bob Dylan changing the world of music forever, Wolf Man remakes the famous horror creature for the 21st century, Florence Pugh and Andrew Garfield are a young couple battling a disastrous diagnosis in We Live in Time,

Anchored by the extraordinary performances of Andrew Garfield and Florence Pugh, this movie doesn’t merely tell a story; it invites the audience to feel every beat of its emotional rhythm. Directed by an emerging auteur, the film deftly uses its ...

On Tuesday, February 11, Irène Duval will perform an hour-long concert featuring Bach’s Chaconne for Solo Violin. Audiences can opt for a light lunch of soup and a sandwich at noon, followed by the concert at 1pm, with the lunch being served in the church hall.

The Brutalist scored an impressive top five spot for Universal, with its £703,617 opening coming at a strong per-cinema average of £4,139. It has £753,400 including previews, and has already dwarfed the totals of previous Corbet films Vox Lux (£153,505) and The Childhood of a Leader (£169,982).

Andrew Garfield once faced rejection that stung. He wasn’t “handsome enough” for Prince Caspian. But alas, the crown went to someone else.