In The Wire 491/492, James Gormley argues that redrawing the line between public and private space has coined a dubious new ...

Rasheedah Phillips and Camae Ayewa (aka Moor Mother) present a special Wire mix ahead of the publication of Dismantling The ...

In The Wire 491/492, Louise Gray recalls developing a new relationship to sound while bed-bound in hospital following an accident This is a piece that I never anticipated writing. Dictating from a ...

Born in Vietnam, multidisciplinary artist Tran Uy Duc seeks counterpoints with pop boundaries as their long-term influence. Also active in ...

In The Wire 491/492, Drew Daniel recounts a dream of a strange new music style, whose subsequent online virality revealed the need to test the limits of genres The dream came in the night and changed ...

Stream two tracks from Aleksi Perälä's forthcoming release using the Perälä and Grant Wilson-Claridge's custom musical scale, the Colundi Sequence. Perälä and Wilson-Claridge's creation is covered by ...

Mark Fisher: Let’s talk about the film [ON/OFF: Mark Stewart – From The Pop Group To The Maffia]. How did that happen? Mark Stewart: Basically what happened was Tøni Schifer, the filmmaker, approached ...

Since his early 1980s connections with the independent label Les Disques Du Crépuscule and film maker Peter Greenaway, Belgian composer Win Mertens has built considerable audiences across Europe for ...

Wyatt in Deià, 1964, where he had drum lessons from Ramón Farrán at the bottom of Robert Graves’s garden. Robert left the Langton school at the start of 1962 and enrolled at the local art college. It ...