In Alexandre O. Philippe’s documentary, Kim Novak is the one doing the looking, casting a critical eye over her career, her professional relationship with Alfred Hitchcock and the 1958 film that made ...

Co-directors Chris Petit and Emma Matthews explore their son’s experience of epilepsy and their own struggle to find him adequate medical care in an essayistic film that has a flavour of Adam Curtis’s ...

Best known for playing stiff-upper-lip Brits, Clive Brook made only one feature as director: a period comedy set during the ‘naughty ’90s’ which is packed with modern humour and visual ingenuity.

Up to £150,000 will be available per project from experienced UK producers and creative leads with a track record in immersive or related screen-based practice.

A major two-month film season will celebrate Monroe’s 100th anniversary, with a BFI Distribution re-release of The Misfits in UK and Irish cinemas from 5 June.

On the cover: the Cornish auteur Mark Jenkin on Rose of Nevada and the alchemy of analogue Inside the issue: As Otomo Katsuhiro’s Akira returns to UK cinemas nearly four decades on, Roger Luckhurst ...

Johnson, David Mackenzie’s deftly edited crime caper sees a group of men attempt to rob a bank while the military and police are busy defusing a bomb.

BFI Southbank announces a major two-month season celebrating the rich and diverse history of Brazilian Cinema.

A beginner’s path through the career of Peter Weir, from his beginnings in the Australian New Wave to making some of the most vivid and transporting Hollywood films of the 1980s and 90s.

In the 26 film reviews written by Orwell during World War II, the novelist’s analysis was more politically than cinematically minded. From our Autumn 1979 issue.

Peretta’s debut feature follows two 12-year-old best friends who are navigating childhood against a backdrop of political tension and personal loss.

The fund has awarded £200,000 to British Screen Forum to focus on mapping and improving analysis of data related to financing, audience engagement and commercial performance of independent film.